Art Criticism

For Racket in Minneapolis:

2023

Kahlil Robert Irving’s ‘Archaeology of the Present’ Hints at Excellence but Suffers from Sterile Setting (March 10, 2023)

For The Pitch in Kansas City:

2023

High Tension: Kemper Museum explores tactile realms with Tensile Strength exhibit (February 16, 2023)

2022

Our Lady of Sorrows: Natalie Frank’s Unbound exhibit at Kemper dives deep on familiar fairy tales (March 25, 2022)

Installation view of Natalie Frank’s work at the Kemper Museum

Charlotte Street Fellows create portals at the Nerman Museum of Contemporary Art (February 9, 2022)

2021

Collective Soul: Nelson-Atkins’ Testimony explores elaborate bonds between art and audience (August 23, 2021)

Beat Connection: Pulse Topology at Kemper Museum (July 5, 2021)

White Hawk’s Kemper exhibit is a rejection of Indigenous annihilation (May 5, 2021)

“I am Your Relative” by Dyani White Hawk

2019

At the Kemper, Hew Locke interrogates the complex legacies of British imperialism (November 21, 2019)

Bart Simpson, Looney Tunes, and Jacques-Louis David artfully collide at Vulpes Bastille’s high-low Cartoon Heaven (July 12, 2019)

“The Bather (After Marat)” by Stephen Proski

Bricolaje, at La Esquina, examines the personal and the political in the Mexican-American experience (April 3, 2019)

For Informality Blog in Kansas City:

2019

Vistas of Decay in Mirror Eupepsia (February 2, 2019)

2018

Looking at Our Desire To Escape to Imagined Worlds in Really, Apparently and Recreationical Serenetorium (June 28, 2018)

Seeking the Sacred Self in the work of Peyton Pitts (March 13, 2018)